Alla John Constable s Oljemålningar
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Vilja ID Bild  Oljemålningar Från A to Z       Information 
32836 Flatford Mill  Flatford Mill   mk81 1816-17
33116 Flatford Mill from a lock on the Stour  Flatford Mill from a lock on the Stour   mk82 c.1811 oil on paper laid on canvas 26x35.5
98483 Flatford Mill or Scene on a Navigable River  Flatford Mill or Scene on a Navigable River   Dimensions 1331 mm x 162 mm x 1583 mm (52.4 in x 6.4 in x 62.3 in)
98468 Flowers in a glass vase, study  Flowers in a glass vase, study   Oil on paperboard Dimensions 503 x 330 mm c. 1814
33007 Full sale study for The hay wain  Full sale study for The hay wain   mk82 c.1821 oil on canvas137x188
81910 Full-scale study for The Hay Wain  Full-scale study for The Hay Wain   John Constable. Full-scale study for The Hay Wain. Oil on canvas. Victoria and Albert Museum, London Date C. 1821 cjr
38752 Golding Constable-s Flower Garden  Golding Constable-s Flower Garden   mk141 1815 Oil on canvas
38753 Golding Constable-s Kitchen Garden  Golding Constable-s Kitchen Garden   mk141 1815 Oil on canvas
38758 Hadleigh Castle  Hadleigh Castle   mk141 1829 Yale Center for British Art
86057 Hadleight Castle  Hadleight Castle   Date 1829(1829) Medium Oil on canvas Dimensions 123 x 167 cm cjr
90116 Hadleight Castle  Hadleight Castle   1829(1829) Medium oil on canvas Dimensions 123 x 167 cm cyf
54518 Hampstead Heat  Hampstead Heat   mk235 1824 Oil on canvas
32958 Hampstead Heath  Hampstead Heath   mk82 Looking towards Harrow at Sunset 9 Autust 1823
33143 Hampstead Heath looking to Harrwo  Hampstead Heath looking to Harrwo   mk82 c.1821-22 oil on paper laid on canvas 29.5x48.3
32954 Hampstead Heath with London in the distance  Hampstead Heath with London in the distance   mk82 c.1827-30
33173 Hampstead Heath with London in the distance  Hampstead Heath with London in the distance   mk82 c.1827-30
33136 Hampstead Heath,sun setting over Harrow 12 September 1821  Hampstead Heath,sun setting over Harrow 12 September 1821   mk82 oil on paper laid on board 24.7x30.5cm
33151 Hampsted Heath,looking towards Harrow at sunset 9August 1823  Hampsted Heath,looking towards Harrow at sunset 9August 1823   mk82 oil on canvas 23x29
33130 Hanwich Lightouse  Hanwich Lightouse   mk82 c.1820 oil on canvas 32.7x50.2
32967 Harwich Lighthouse  Harwich Lighthouse   mk82 c.1820
20833 Helmingham Dell (mk05)  Helmingham Dell (mk05)   Canvas 40 1/2 x 51''(103 x 129 cm)Acquired in 1948 R.F 1948-5
32987 horizon of trees 27September 1821  horizon of trees 27September 1821   mk82
33105 Hove Beach  Hove Beach   mk82 c.1842
33162 Hove Beach,withfishing boats  Hove Beach,withfishing boats   mk82 c.1824 oil on paer laid on canvas 29.8x49.2
33106 John Constable  John Constable   mk82 c.1799 oil on canvas 76.2x63.8cm National Portrait Gallery
98471 John Constable R.A., The Leaping Horse  John Constable R.A., The Leaping Horse   1825(1825) Medium oil on canvas Dimensions 142 x 187 cm
33102 Keswick  Keswick   mk82 c.1807
32972 Keswick,Lake  Keswick,Lake   mk82 c.1807
33109 Keswick,Lake  Keswick,Lake   mk82 c.1807 Oil on millboard inlaid into mahogany panel 26.5x44.7cm
21770 Lake Derwent with Evening Storm (mk10)  Lake Derwent with Evening Storm (mk10)   Watercolour,33.5 x 38 cm London,Victorian and Albert Museum
32979 Landscape  Landscape   mk82 after Teniers 1823
33149 Landscape after Teniers  Landscape after Teniers   mk82 1823 oil on panel 16.8x22.6cm
33119 Landscape study,cottage and rainbow  Landscape study,cottage and rainbow   mk82 c.1808-16
33153 Landscape study:Scene in a park  Landscape study:Scene in a park   mk82 c.1823 oil on paper laid on canvas 24x26
87541 Landscape with Cottages  Landscape with Cottages   1809-1810 Medium Oil on canvas Dimensions 15 x 29.2 cm (5.9 x 11.5 in) cyf
32970 Landscape with goatherd and goats  Landscape with goatherd and goats   mk82 after Claude 1823
32978 Landscape with goatherd and goats  Landscape with goatherd and goats   mk82 after Claude 1823
33152 Landscape with goatherd and goats after Claude 1823  Landscape with goatherd and goats after Claude 1823   mk82 oil on canvas 53.3x44.3
33164 Landscape with trees and deer,after Claude july 1825  Landscape with trees and deer,after Claude july 1825   mk82 pen and brown ink,with brown and grey wash 28.8x20
21822 Landscape with Two Rainbows (mk10)  Landscape with Two Rainbows (mk10)   1812 Oil on paper 34 x 38 cm London,Victoria and Albert Museum
32991 London from Hampstead Heath in a storm,with a double rainbow  London from Hampstead Heath in a storm,with a double rainbow   mk82 June 1831
33177 London from Hampstead Heath in a storm,with a double rainbow june 1831  London from Hampstead Heath in a storm,with a double rainbow june 1831   mk82 watercolour with scraping out ,on grey paper 19.7x32
44245 Malvern Hall in Warwickshire  Malvern Hall in Warwickshire   1809 Oil on canvas, 51 x 77 cm
71920 Malvern Hall,  Malvern Hall,   Malvern Hall, 1809, oil on canvas, Tate Gallery, London.
33131 Malvern Hall:The entrance front  Malvern Hall:The entrance front   mk82 c.1820 oil on canvas 54.6x78.1
457 Maria Bicknell  Maria Bicknell   1816 Tate Gallery, London
58416 Maria Bicknell  Maria Bicknell   Maria Bicknell, painted by Constable in 1816
32952 Old Sarum  Old Sarum   mk84 1834
33010 Old Sarum  Old Sarum   mk82 1834
33178 Old Sarum  Old Sarum   mk82 1834 watercolour with scraping out,on two conjoined sheets 30x48.7
38762 Old Sarum  Old Sarum   mk141 1831/32 2nd plate
68910 old sarum  old sarum   1833 mezzotint engraving 20.4x28.3cm se
22809 Old Sarum (mk22)  Old Sarum (mk22)   1834 Watercolor,30 x 48.7 cm London,Victoria and Albert Museum
33186 Old Sarum at noon  Old Sarum at noon   mk82 20 july 1829
33154 Osmington Bay  Osmington Bay   mk82 c.1824 oil on canvas 34.5x51.8
439 Parham Mill at Gillingham  Parham Mill at Gillingham   1826 Yale Centre for British Art, New Haven,
90990 Portrait der Maria Bicknell  Portrait der Maria Bicknell   1816(1816) Medium oil on canvas Dimensions 30 x 25 cm cyf
98478 Portrat der Maria Bicknell  Portrat der Maria Bicknell   1816(1816) Medium oil on canvas Dimensions 30 x 25 cm
32944 Rainstorm over the sea  Rainstorm over the sea   mk82 c.1824-28
32955 Rainstorm over the sea  Rainstorm over the sea   mk82 c.1824-28
32990 Rainstorm over the sea  Rainstorm over the sea   mk82 c.1824-28
33158 Rainstorm over the sea  Rainstorm over the sea   mk82 c.1824-28
32971 Road to The Spaniards  Road to The Spaniards   mk82
33138 Road to the The Spaniards,Hampstead 2(9)July 1822  Road to the The Spaniards,Hampstead 2(9)July 1822   mk82 oil on paper laid on canvas 30.8x51.1
56522 sadesfalrer  sadesfalrer   mk248 det befolkade landskapet var constables standiga motiv ovb det ban var mest fortrogen med. vagen till sadesfaltet ar samma som konstnaren gick langs nar ban skulle till skolan detta ar det suffolk som ban bar i sitt bjarta i bela sitt liv.sadesfalter foljer olika riktningar i tid ocb rymd. det vertikala fitrmatet styr askadarens blick fran pojken vid backen till mannen som skordar saden ocb slutligen till kyrktornet bland traden.den romantiske poeten wordswortb bifrog till den fond som kopte in malningen till nationak gallery i london.
41350 Sailsbury Cathedral From the Bishop-s Garden  Sailsbury Cathedral From the Bishop-s Garden   mk161 Oil on canvas 34x44
58423 Salisbury Cathedral by John Constable  Salisbury Cathedral by John Constable   Salisbury Cathedral by John Constable, ca. 1825. As a gesture of appreciation for John Fisher, the Bishop of Salisbury, who commissioned this painting, Constable included the Bishop and his wife in the canvas. Their figures can be seen at the bottom left of the painting, behind the fence and under the shade of the trees.
94969 Salisbury Cathedral from the Bishop s Grounds  Salisbury Cathedral from the Bishop s Grounds   1823 (1823) Dimensions 87.6 cm x 111.8 cm cyf
31839 Salisbury cathedral from the bishop's garden  Salisbury cathedral from the bishop's garden   mk76 Dated 1826 Oil on canvas
33005 Salisbury Cathedral from the Bishop's Ground  Salisbury Cathedral from the Bishop's Ground   mk82 1823
33148 Salisbury Cathedral from the Bishop's Grounds  Salisbury Cathedral from the Bishop's Grounds   mk82 1823 oil on canvas 87.6x111.8
21435 Salisbury Cathedral from the Bishop's Grounds (mk09)  Salisbury Cathedral from the Bishop's Grounds (mk09)   1828 Oil on canvas,34 x 44 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
33921 Salisbury Cathedral from the Bishop-s Grounds  Salisbury Cathedral from the Bishop-s Grounds   mk87 1828 Oil on canvas 34x44cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
40671 Salisbury Cathedral from the Bishop-s Grounds  Salisbury Cathedral from the Bishop-s Grounds   mk156 1823 Oil on canvas 88x112cm
26358 Salisbury Cathedral from the Meadows  Salisbury Cathedral from the Meadows   mk49 1831 Oil on canvas on loan to the National Gallery,London
435 Salisbury Cathedral from the Meadows2  Salisbury Cathedral from the Meadows2  
98479 Schleuse und Muhle in Dedham  Schleuse und Muhle in Dedham   1820 Medium oil on canvas Dimensions Deutsch: 53,7 x 76,2 cm
85286 Seascape Study with Rain Cloud  Seascape Study with Rain Cloud   Date 1827(1827) Medium Oil on paper Dimensions 22,2 x 31,1 cm cjr
52461 Sketch for The Leaping Horse  Sketch for The Leaping Horse   1824-25 Oil on canvas, 129 x 188 cm
33132 Spring:East Bergholt Common  Spring:East Bergholt Common   mk82 c.1821 or 1829 oil on oak wood panel 19x36.2
32950 Srping East Bergholt Common  Srping East Bergholt Common   mk82 c.1821 or 1829
82052 Stoke-by-Nayland, Suffolk.  Stoke-by-Nayland, Suffolk.   Stoke-by-Nayland, Suffolk. Oil on paper. Date C. 1829/1830 cjr
33172 Stoke-by-Nayland,Suffolk  Stoke-by-Nayland,Suffolk   mk82 c.1829-35 iron-gall ink wash and pancil 12.2x16.5
441 Stonehenge  Stonehenge   1836 V ictoria and Albert Museum, London
32960 Stormy Sea  Stormy Sea   mk82 Brighton 20 July 1828
33170 Stormy Sea,Brighton 20 july 1828  Stormy Sea,Brighton 20 july 1828   mk82 oil on paper laid on canvas 14.5x23.5
42756 Stour Valley and the church of Dedham  Stour Valley and the church of Dedham   MK169 1814-15 oil Paint on cloth 55x77.8cm Museum or Finn Physician.
32985 Study of A boat passing a lock  Study of A boat passing a lock   mk82 c.1826
33167 Study of A boat passing a lock  Study of A boat passing a lock   mk82 c.1826 oil on canvas 103.5x129.9
38756 Study of clouds at Hampstead  Study of clouds at Hampstead   mk141 1821 Oil on canvas
38766 Study of Clouds at Hampstead  Study of Clouds at Hampstead   mk141 1821 Oil on paper laid on board 24.2x29.8cm
33009 Study of the trunk of an elm tree  Study of the trunk of an elm tree   mk82 c.1821 oil on paper 30.6x24.8cm
81908 Summer morning: Dedham from Langham  Summer morning: Dedham from Langham   John Constable. Summer morning: Dedham from Langham. Oil on paper. Victoria and Albert Museum, London Date C. 1812. cjr
38764 Sun bursting through dark clouds  Sun bursting through dark clouds   mk141 1821 Oil on paper laid on panel 21.2x29cm
33108 The Castle Rock,Borrowdale  The Castle Rock,Borrowdale   mk82 1806 Watercolour and charcoal 26.8x36.3cm
98480 The Chain Pier, Brighton  The Chain Pier, Brighton   1824-1827 Medium oil on canvas Dimensions 127 x 183 cm
85473 The Close  The Close   Oil on paper. Date 1829(1829) cyf
81466 The Close, Salisbury  The Close, Salisbury   The Close, Salisbury. Oil on paper. Date 1829(1829) cjr
43315 The Cornfield  The Cornfield   mk170 1826 Oil on canvas 142.9x121.9cm
51368 The Cornfield  The Cornfield   mk218 1826 Oil on canvas 143x122cm
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John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy



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